Jerome Hiler. Photograph from SFGate.com
“This kind of filmmaking only takes,” he says. “You get nothing when you talk about the prestige, this, that and the other thing — nothing comes with that. Maybe $100. It means nothing to me.
“I’ll always be a poor person,” Hiler adds. “I don’t mind that.”
The camera, all black and chrome as cameras once were, is loaded with the last run of Kodak reversal film the world may ever see.
The City Exposed: The Filmmaker